Walks
Walks
Val Piora, 2001, C-print, 220×180 cm
Walks
Kulusuk, 2000, C-print, 220×180 cm
Walks
Pascumin, 2001, Dyptich, C-print, each 220×180 cm
Walks
Cufercal, 2000, C-print, 220×180 cm
Walks
Cufercal, 2000, C-print, 220×180 cm
Walks
Prato Piazza, 2001, C-print, 220×180 cm
Walks
Chli Rinderhorn, 1999, C-print, 220×180 cm
Walks
Mit und für Marianne, Piz Beverin, 1999, C-print, 220×180 cm
Walks
Glaspass, 2001, C-print, 220×180 cm
Walks
Lai Pintg, 2000, C-print, 220×180 cm
Walks
Pascumin, 2001, Dyptich, C-print, each 220×180 cm
Walks
Carschinafurgga, 1998, C-print, 220×180 cm
Walks
Cadagno, 2001, C-print, 220×180 cm
Walks
Val da Bügliet, 2001, C-print, 220×180 cm
Walks
Val da Bügliet, 2001, C-print, 220×180 cm
Walks
Glaser Grat, 2001, Dyptich, C-print, each 220×180 cm
Walks
Avers, 2001, C-print, 220×180 cm
Walks
Walks with 17 people, Glaspass, 2001, C-print, 220×180 cm
Walks
Thomas Flechtner, inspired by many days of walking with his feet on skins, has been working during three years on his ‹Walks› compositions. Surfaces covered by virgin snow and free of treads make us think of photographic plates. Here we do have not any silver salt, what we have is snowflakes reacting to the passage of the artist, alone, with his feet on skis. He is light. He is the agent that will reveal a shape. After having placed his camara within a distance from the space he wants to cover and having decided on a particular frame, Thomas Flechtner chooses the time of exposure that corresponds effectively to the time the marking will take.